2018 Guest Artists
Associate Principal Trombone, New York Philharmonic
Colin Williams joined the New York Philharmonic as Associate Principal Trombone in September 2014. He previously served as principal trombone of the Atlanta Symphony Orchestra, for 12 seasons, and principal trombone of the San Antonio Symphony, for three seasons. He has also performed with the Chicago Symphony Orchestra, National Symphony Orchestra (of Washington, D.C.), and Houston Symphony.
Mr. Williams made his solo debut with the Atlanta Symphony Orchestra in 2003 performing Paul Creston’s Fantasy for Trombone. He has been a guest soloist with the San Antonio Symphony, U.S. Army Band (Pershing’s Own), U.S. Military Academy Band, Georgia Brass Band, Atlanta Wind Ensemble, Juilliard Orchestra, and James Madison University Brass Band. He has also appeared as a soloist at the Eastern Trombone Workshop, International Trombone Festival, and in numerous recitals throughout the US and Japan.
Also active as a chamber musician, Colin Williams has participated in numerous festivals, including the Saito Kinen Festival Orchestra under Seiji Ozawa in Matsumoto, Japan; Grand Teton Music Festival; and Amelia Island Chamber Music Festival. He has also performed with the Chicago Chamber Musicians and is a member of the Principal Brass Quintet of the New York Philharmonic.
Mr. Williams’s first solo CD, Roadwork, is a collaboration with his former Atlanta Symphony Orchestra colleagues Bill Thomas and George Curran. Together with Bradley Palmer at Columbus State University, the four musicians founded the Southeast Trombone Symposium in 2010: through his continuing work with the Symposium Mr. Williams has helped to educate hundreds of young trombonists.
During his high school years Colin Williams studied with Douglas Wright. He continued his education at Manhattan School of Music and The Juilliard School, where his primary teachers included Philharmonic Principal Trombone Joseph Alessi and Philharmonic trombonist David Finlayson. He is an alumnus of the Music Academy of the West, now a partner in the New York Philharmonic Global Academy.
Denson Paul Pollard
Bass Trombone, Metropolitan Opera Orchestra
Denson Paul Pollard began as bass/tenor trombonist/bass trumpet player with the New York Metropolitan Opera Orchestra in September, 2007. Pollard was the bass trombonist of the Finnish Radio Symphony Orchestra for 2014-2015 and the Hong Kong Philharmonic from 2001-2007. Pollard has performed with the New York Philharmonic, the Chicago Symphony, the Philadelphia Orchestra, the Cleveland Orchestra, the Houston Symphony Orchestra and the Los Angeles Philharmonic. His teachers have included Dr. Jim Roberts, Dr. David Gier, George Krem, Charles Vernon and Joseph Alessi.
Pollard was awarded the Master of Musical Arts degree and the Doctorate of Musical Arts in performance and pedagogy from the University of Iowa, where he served as a teaching assistant in the areas of musicology, jazz and applied trombone. Pollard holds a Bachelor of Science degree in music education from Jacksonville State University in Jacksonville, Alabama. Dr. Pollard is a member of the brass faculty at Mannes School of Music, Bard College and the Juilliard School and is a faculty member of the Pacific Music Festival in Sapporro, Japan.
Pollard is a passionate champion of the bass trombone as a solo instrument. He has performed concertos and played solo recitals in various places around the world.Pollard has recorded three solo CDs entitled "Up From Below,” “Point in Time” and “Listening.” He can also be heard on three MET Opera Brass recordings and a recent collaboration CD with James Markey, bass trombonist of the Boston Symphony Orchestra, entitled “The Bass Trombonist’s Guide to Orchestral Excerpts. All of Pollard's recordings are available at www.cdbaby.com/dppollard and www.hickeys.com . Dr. Pollard is a Buffet Group artist and performs exclusively on Courtois trombones. More information about Denson Paul Pollard can be found at www.densonpaulpollard.com.
2018 Guest Faculty
Second Trombone, Pittsburgh Symphony Orchestra
In the Fall of 2009, James Nova joined the multi-Grammy-winning Pittsburgh Symphony Orchestra as its Second/Utility Trombone. Before joining the PSO, Jim served eight seasons as the Assistant Principal/Second Trombonist of the Utah Symphony Orchestra.
Jim began playing the trombone at age nine in his home state of Connecticut. As a child he received his early musical exposure and training from his father, Anesti Nova. During high school, Jim studied with his first private trombone teacher, Assistant Principal/Second Trombonist of the Hartford Symphony George Sanders.
After graduating high school Jim attended the Curtis Institute of Music in Philadelphia where he received his Bachelor’s Degree studying with the Philadelphia Orchestra’s then Principal Trombonist Glenn Dodson. Jim then moved to Boston to pursue a Master’s Degree on a full scholarship at the New England Conservatory of Music, studying with then Boston Symphony Orchestra trombonist, Norman Bolter. In addition to his college education, James attended the Pacific Music Festival in Sapporo, Japan and was also a member of the Tanglewood Music Center Fellowship Orchestra for three summers. After finishing his Master’s Degree, he freelanced in Boston for several years, substituting on a regular basis with the Boston Symphony Orchestra and the Boston Pops Orchestra, making several recordings and television broadcasts with both groups as both principal and second trombone. In 2001, Jim moved to Salt Lake City to join the Utah Symphony Orchestra.
From 2003 to 2007 he enjoyed playing at the Grand Teton Music Festival, and played and taught at the Brevard Music Center in the summer of 2013. He is also the former second trombonist of the Pacific Symphony Orchestra in Orange County, California, former principal of the Rhode Island Philharmonic, former principal of the Vermont Symphony, and former assistant principal of the New Haven Symphony Orchestra.
Jim’s debut solo recording Albanian Rhapsody is a debut in both performance and composition for the father and son team, composer Anesti Nova and trombonist James Nova. All but one piece in this world premiere collection of compositions is for solo trombone and either string or chamber orchestra. The music is ethnically charged, deriving much influence and flavor from Jim and Anesti’s strong Albanian background. It is at times tragic, languid and yet uplifting as it chronicles (with the trombone as storyteller) the journey of the Nova family through hardships and eventual triumph over adversity.
In March of 2012, Jim made his solo debut with the Pittsburgh Symphony Orchestra, performing the Henri Tomasi Trombone concerto as well as his own arrangement of the famous Tommy Dorsey jazz ballad, I’m Getting Sentimental Over You which is the material on which Tomasi based his trombone concerto.
Since 2012, Jim has found a new passion using recording technology to explore multitrack recording, also known as "overdubbing” (or as he calls it, “Novadubbing”), and created numerous stunning recordings of challenging new transcriptions and arrangements he's done of a variety of exciting repertoire for trombone choir. These employ a number of trombones: contrabass, bass, tenor, small tenor, alto and even soprano trombones! To hear these, go to soundcloud.com/jimnova where his recordings have enjoyed over 600,000 listens!
In 2017, Jim performed world premiere orchestrations by Anthony DiLorenzo of the Theme from the Green Hornet and I'm Gettin' Sentimental Over You. These performances were with the Three Rivers Young Peoples Orchestras and later that year, the Pittsburgh Symphony Orchestra with Jim as soloist.
Most recently, this past December Jim has released a new overdub album for trombone choir, A Fall from Light to Dark. Through the chosen moments of John Williams’ masterful scores, this album musically chronicles the rise and descent of Anakin Skywalker as he transforms into Darth Vader. Truly a one-man show, this album’s transcriptions, playing, recording, editing, mixing and mastering were all done by Jim Nova!
Jim has had a lifelong love of John Williams’ film scores since his Dad took him and his brother to see The Empire Strikes Back in the theater. Throughout his career he has performed and recorded with John Williams on several occasions, with the Pittsburgh Symphony Orchestra, the Boston Symphony, the Boston Pops as well as the Utah Symphony.
When Jim is not on stage at Heinz Hall with the Pittsburgh Symphony, he can be found at Duquesne University where he’s Brass Coordinator and Adjunct Trombone Faculty and also the Brass Coach of the Three Rivers Young Peoples Orchestras.
Jim is an S.E. Shires Artist and performs on Greg Black Mouthpieces.
John Sebastian Vera, Co-Founder
Principal Trombone, Pittsburgh Opera and River City Brass
John Sebastian Vera, a native of Texas, became the Principal trombonist of the Pittsburgh Opera in 2010 and also joined the River City Brass as Principal Trombone in 2015. A dedicated chamber musician, he also was a founding member of the critically acclaimed Guidonian Hand Trombone Quartet in which he played from 2008-2014.
In addition to the Pittsburgh Opera, Mr. Vera has played with the symphonies of Dallas, Detroit, Pittsburgh, the St. Paul Chamber Orchestra, Buffalo, Kennedy Center Opera House, Malaysian Philharmonic, New York City Opera, Vermont, Charleston, Albany, Akron, Harrisburg, American Ballet Theatre, and Orquesta Sinaloa de las Artes in Mexico amongst others.
He began his studies with Jon Bohls in Texas and continued his education at Southern Methodist University where he studied with John Kitzman of the Dallas Symphony. He then spent a year studying with Ed Zadrozny as a graduate assistant at the University of Akron, and finished his graduate work in New York City at the Mannes College of Music studying with David Finlayson and James Markey of the New York Philharmonic.
In 2009, John was honored to be asked to play alongside the New York Philharmonic trombone section as well as members of the Metropolitan Opera to record two pieces for James Markey’s solo release, “On Base”.
In 2011, he spent the summer in Haiti volunteer teaching and performing in the Orchestre Philharmonique Sainte Trinite as well as the Ecole de Musique Dessaix Baptiste which became one of the more profound experiences of his life.
With the quartet, John performed over 100 concerts and gave master classes all over the country. Heralded by the New York Times for their "expertly played performances" they have been recipients of numerous national grants which have enabled them to commission countless composers to create new and innovative works for four trombones. In 2014 was the premiere of River of Fundament, a movie by film artist Matthew Barney, in which John recorded for and acted in along with the quartet.
Mr. Vera can also be heard on the HBO documentary The Words that Built America as well as on euphonium in the PBS documentary Abraham and Mary Lincoln, A House Divided.
John is an Artist for Edwards Instruments and resides in Pittsburgh. He is on the faculty at Slippery Rock University. His favorite musicians include Sigur Ros, Radiohead, the Books, and Efterklang. When he can get away from the trombone he most enjoys basketball, traveling and psychology. Listen to a Divergent Paths with Dan Dunford podcast interview with John here. Follow him on twitter @SebastianVera and on Instagram @js.vera.
Nicholas Schwartz, Co-Founder
Principal Bass Trombone, New York City Ballet
Nick Schwartz has a diverse career performing across North America, Europe, and Asia. Beginning his trombone studies at the Interlochen Arts Academy, he went on to study at The Juilliard School with then New York Philharmonic bass trombonist Don Harwood. From there, he moved to San Francisco where he began freelancing throughout the Bay Area. In addition to playing in his regular job with the New York City Ballet, he has performed with The Metropolitan Opera, The Pittsburgh Symphony, the New York City Opera, the New York Philharmonic, the Philadelphia Orchestra, The Atlanta Symphony, San Francisco Symphony, San Francisco Ballet, The Minnesota Orchestra, Orchestra of St. Lukes, Orpheus Chamber Orchestra, The Jacksonville Symphony, The Malaysia Philharmonic, Arizona MusicFest, Festival Maribor (Slovenia), and the Festival Lyrique-en-Mer in France. He has recorded with Joe Alessi, principal trombone of the New York Philharmonic, the American Brass Quintet, Orchestra of St. Lukes, has recorded multiple video game soundtracks at Skywalker Ranch in Northern California, and has been a part of multiple movie soundtrack recordings in New York. He has been a member of the New York City Ballet Orchestra since January 2010.
Overneath Studios of Kalamazoo recently described Helen Lukan's piano artistry in these words: "From playing with symphonies across the region, to solo recitals and collaborations with Western Michigan University (WMU), Helen's name is synonymous with exquisite piano-craft." A Chicago native, Helen has long been highly regarded as a versatile collaborative pianist in West Michigan and is gaining national notice as a respected collaborator with such groups as the Boston Brass. While she has vast experience accompanying a diverse range of soloists, performing music in every genre, she has an affinity for the trumpet repertoire having worked with trumpeters, Mary Bowden, Dr. Stephen Jones, Rex Richardson, Michael Sachs, and WMU Professors Scott Thornburg and Dr. Robert White.
In addition to an ongoing association with the Boston Brass, Helen has performed Gershwin's Three Preludes as a featured artist for the KBR Steinway Sessions Live at Overneath Studios. She has been a featured soloist with the Western Winds, performing another Gershwin favorite, Rhapsody in Blue, and has performed with TubaCOR at Eastman Conservatory for the Women in Music Series. Helen has charmed audiences with her collaborative programs, America: A Musical Tribute! with soprano, Katelin Spencer, and Four-Hand-Frenzy with sister, Clare Chenoweth. Helen is the featured artist, and co-creator with husband Cameron S. Brown of the multi-media presentation, A Kaleidoscope of Sound.
While serving as the principal pianist for the Southwest Michigan Symphony Orchestra, Helen also performs regularly with the Grand Rapids Symphony, and frequently substitutes with the Kalamazoo Symphony Orchestra, the South Bend Symphony Orchestra, and the Battle Creek Symphony. She has also performed with the Florida Symphony.
Besides her collaborative work with regional orchestras and other ensembles, Helen accompanies a host of students and faculty for recital performances at WMU's School of Music where she earned a Master of Music degree in Piano Performance under the instruction of Phyllis Rappeport and Dr. Robert Ricci. She received her undergraduate degree at Bradley University where she studied with Dr. Edward Kaizer. Her early piano instruction was under the guidance of Bill Stapleton of Chicago.
Along with the online KBR Steinway Sessions Live performance, Helen's musical mastery can be heard on the compact disc recordings, Music to Dream By, Nancy Steltmann, cellist, From the Start, Elizabeth Start, composer and cellist, and Shamanic Journey, Deanna Swoboda, tubist. Helen can be contacted through her website at www.HelenLukan.com.
Rhonda Sider Edgington is often lauded for her innovative programming, colorful registrations, and exciting playing. Seven years working and studying in Bremen, Germany, originally with Prof. Harld Vogel under a Fulbrigh scholarship, led to her specialization in the repertoire and organs of 17th century Germany.
Rhonda has performed at venues such as St. Thomas Fifth Avenue in New York City, and St. Paul Cathedral in Pittsburgh, as well as on important historic instruments in Germany. She has been heard at seven OHS national conventions.
Rhonda is Organist/ Assistant Music Director at Hope Church, Accompanist at Hope College, Dean of the Holland, Michigan AGO chapter, and maintains an active performing career.
William Mann joined the Georgia State School of Music as the Assistant Professor of Trombone and the Brass Area Coordinator in August 2013. He teaches the trombone studio, brass chamber music, brass techniques, and oversees the brass area. Prior to his appointment at GSU, Dr. Mann served on the faculties at Morehead State University, the University of Missouri, Prairie View A&M University, and the University of Mary-Hardin Baylor.
Dr. Mann is regularly sought after as a lecturer, clinician, and performer throughout the United States and Brazil, including the Midwest Trombone Euphonium Conference, the Big 12 Trombone Conference, the Bay View Music Festival, and the Festival Nacional de Musica in Goiania, Brazil. In the summer of 2012, he placed second overall in the solo competition at the International Women’s Brass Conference in Kalamazoo, Michigan, competing against other brass musicians from around the world.
Dr. Mann’s orchestral experiences, includes performing with groups including the Atlanta, Chattanooga, Lexington Philharmonic, Ohio Valley, West Virginia, Quad-City, Missouri, Tuscaloosa, Meridian, Victoria, and Waco Symphonies. He has also performed with the Austin Lyric Opera, as well as the Bay View, Victoria Bach, Texas Music, and Hot Springs Music Festivals. He also performs regularly with the Atlanta based Bent Frequency New Music Ensemble.
Dr. Mann received his Masters of Music and Doctor of Musical Arts degrees in Trombone Performance from the University of Texas at Austin in addition to a Bachelor of Music Education from Baylor University. His primary teachers include David Gier, David Jackson, Donald Knaub, Allen Barnhill, John Marcellus, and Nathaniel Brickens.
Before starting his company in 2014, he was Director of Financial Planning for another firm, where he developed financial strategies and provided research and portfolio management on $375 million in client assets. Scott holds the Certified Financial Planner (CFP(R)) and Chartered Financial Analyst (CFA) designations, as well as a Certificate in Financial Planning from Boston University. He is a Fiduciary, which means that he is required to place client interests ahead of his own, a responsibility he takes very seriously.
That’s his day gig, but on many nights and weekends, he's a free-lance trombonist in Dallas. Mr. Stratton has been principal trombone of the Garland, Las Colinas, and Arlington Symphonies since 2001, and also performs frequently with his quintet, The Perennial Brass. Scott attended the Oberlin Conservatory, and received a MM, DMA, and Performer’s Certificate from the Eastman School of Music.
Scott lives in Dallas, where his talented wife, Erin, is principal oboe of Dallas Symphony Orchestra. When they're not busy with work, they spend time with their three rescue dogs, plus puppies they foster for Operation Kindness . Mr. Stratton serves as a board member and treasurer for Artists For Animals , a non-profit organization which brings artists together to collaborate and raise money in support of animal rescue.
Gabriel Colby feels very fortunate to be performing, teaching, and coaching around the world. Currently, Gabriel Colby resides in Pittsburgh where he plays associate principal trombone for the River City Brass Band. Gabriel also plays lead trombone for Beauty Slap (a genre bending electronic funk), C Street Brass, and Nu Deco Ensemble a contemporary chamber orchestra located in Miami, Florida. As a lead trombonist he has played for the ESPY Awards Orchestra in LA, The Nascar Awards Show in Las Vegas, and can he can be heard on the ESPN College Football theme. Gabriel has a B.M. from Peabody Conservatory and a M.M. from Carnegie Mellon. He initially found his love for trombone through classical music, but now enjoys playing and performing music of all genres.
In addition to his music and performance career, Gabriel has studied a variety of different movement disciplines. Gabriel is proud to have earned a fitness certification through GMB which encourages fun, smart exercise for physical autonomy. Gabriel most enjoys using his knowledge of movement to help musicians enjoy a pain free playing experience! As well as working one-on-one with clients in person and remotely, Gabriel teaches workshops on flexibility, locomotion, strength, and handstands.
Gabriel grew up in Avon, Connecticut surrounded by music. His parents John Colby and Beverly Rohlehr, and his sister Liza Colby are all accomplished musicians in their own right. Little known fact- Gabriel started his performance career in high school as a professional juggler in the duo ‘The Big Hair Jugglers’. Contrary to popular belief, Gabriel does not play trombone and do handstands twenty-four hours a day. He also loves: pull ups, cooking, tequila, and exploring Pittsburgh, the city he calls home.
A native Texan, Steve Gellersen is currently living in Seattle, WA as a free-lance bass trombonist. He has performed throughout the country with ensembles such as the Vienna Chamber Orchestra, Cleveland Pops Orchestra, Blossom Festival Orchestra, Palm Beach Opera, and Steel City 5.
Mr. Gellersen’s primary teachers include Massimo La Rosa, Rick Stout, Dan Satterwhite, Murray Crewe, Ron Wilkins, and Tom Riccobono. Steve began studying trombone in San Antonio with Ron Wilkins, focusing on jazz. He then finished high school at the Interlochen Arts Academy before beginning college in Pittsburgh, PA at Duqesne University and continued on to complete his BM at the Cleveland Institute of Music. Steve then received a MM from the Lynn Conservatory of Music in Boca Raton, FL where he was a founding member of the $5 Pitcher Low Brass and Drums quintet, merging the low brass sound with popular music. He can be heard performing with them on YouTube. Steve continued his graduate studies back at the Cleveland Institute, and most recently at Carnegie Mellon University.
When away from the trombone Steve enjoys basketball and fantasy football, and considers himself an accomplished home-brewer.
Taylor Fong is a freelance bass trombone player living in Pittsburgh, Pennsylvania. From
2015-2016, Taylor was the bass trombonist with the North State Symphony in Chico, California.
Other orchestral engagements include performing with the Sacramento Philharmonic, Opera, and Ballet, the Sacramento Choral Society, Townsend Opera, and the Modesto Symphony. In
Pittsburgh, Taylor has performed with the Pittsburgh Symphony Brass and the River City Brass Band.
Having been interested in music from an early age, Taylor began playing alto saxophone at age
nine, which he continued to play throughout high school. At age twelve, Taylor found his love for the brass family when he taught himself the euphonium, which he played into college. Learning the trombone at his teacher's suggestion, Taylor received a Bachelor’s of Music Degree from Sacramento State University under the guidance of Joel Elias of the Sacramento Philharmonic.
Currently, Taylor is pursuing a Master’s of Music Degree from Carnegie Mellon University with
Jeff Dee of the Pittsburgh Symphony, and also had the pleasure of working with the great
An avid traveler, Taylor studied abroad at the Hochschule für Musik in Trossingen, Germany
under the guidance of trombone legend and former principal trombone of the Munich
Philharmonic, Abbie Conant. He has also attended the Aspen Music Festival, Music at Menlo, and the Third Coast Trombone Retreat.